Cover: Haug / Walsdorf, Music and Mirrored Hybridities

Haug / Walsdorf

Music and Mirrored Hybridities

59,00 €
Cover: Haug / Walsdorf, Music and Mirrored Hybridities
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Haug / Walsdorf

Music and Mirrored Hybridities

Cultural Communities Converging in French, German, and Turkish Stage Productions (17th–20th Century).

In early modern Europe, music-theatrical patterns of representing the foreign ‘Other’ helped shape relations with the Ottoman Empire. Accordingly, hybridity must be understood as a dynamic practice playing with cultural blends and borrowings, albeit possibly (re-)producing inequalities, ambiguities, and clichés. Representations of Ottomans/Turks appear as musical features emerging out of vague inspirations derived from Ottoman/Turkish music, creating a particular sound that could be decoded as ‘Ottoman’ or ‘Turkish’ by contemporary listeners.
This volume addresses the convergence of cultural communities on stage from early modern France to present-day Turkey, starting from the iconic ‘Turkish scene’ from Le Bourgeois gentilhomme (1670).

With contributions by
Özlem Berk Albachten Thomas Betzwieser Aysenaz Cengiz Marie Demeilliez Irène Feste Judith I. Haug Hubert Hazebroucq Gerrit Berenike Heiter Evren Kutlay Martin Laiblin Hanna Walsdorf

Herausgegeben von: Judith I. Haug und Hanna Walsdorf.
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978-3-9874004-4-5

Erschienen am 02. Oktober 2023

242 S.

Hardcover

Bibliografische Reihen

Istanbuler Texte und Studien (ITS)

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Schlagwörter

17. Jahrhundert

17th century

18. jahrhundert

18th century

19. Jahrhundert

19th century

20. Jahrhundert

20th Century

Ambiguitäten

ambiguities

anderes

Audiences

Ballet

Bühnenkulturen

Bühnenproduktionen

Campra

Clichés

Constantinople

convergence

cultural borrowings

cultural communities

cultural inspirations

cultural mixtures

Dance

Deutschland

Exotismus

Foreign

France

Frankreich

Fremdes

Germany

gespiegelte Hybriditäten

Graun

Hybridität

Hybridity

inequalities

Inspiration

Jean-Baptiste Lully

Jean-Baptiste Molière

klischees

Konvergenz

kulturelle Gemeinschaften

Le Bourgeois Gentilhomme

Lully

mirrored hybridities

Molière

Music

Music Theater

Musik

Musiktheater

Oper

opera

Osmanen

Osmanisches Reich

Other

Ottoman

Ottoman Empire

Ottomans

representations

Richard Strauss

stage cultures

stage productions

Stern

Türkei

Türken

Turkey

Türkische Szene

Turkish Ceremony

Turkish scene

TURKS

Ungleichheiten

Zuhörer

}

Bibliografische Reihen

Istanbuler Texte und Studien (ITS)

Bibliografie

978-3-9874004-4-5

Erschienen am 02. Oktober 2023

242 S.

Hardcover

Hardcover 59,000 € Kaufen
e-Book 59,000 € Kaufen

Haug / Walsdorf

Music and Mirrored Hybridities

Cultural Communities Converging in French, German, and Turkish Stage Productions (17th–20th Century)

In early modern Europe, music-theatrical patterns of representing the foreign ‘Other’ helped shape relations with the Ottoman Empire. Accordingly, hybridity must be understood as a dynamic practice playing with cultural blends and borrowings, albeit possibly (re-)producing inequalities, ambiguities, and clichés. Representations of Ottomans/Turks appear as musical features emerging out of vague inspirations derived from Ottoman/Turkish music, creating a particular sound that could be decoded as ‘Ottoman’ or ‘Turkish’ by contemporary listeners.
This volume addresses the convergence of cultural communities on stage from early modern France to present-day Turkey, starting from the iconic ‘Turkish scene’ from Le Bourgeois gentilhomme (1670).

With contributions by
Özlem Berk Albachten Thomas Betzwieser Aysenaz Cengiz Marie Demeilliez Irène Feste Judith I. Haug Hubert Hazebroucq Gerrit Berenike Heiter Evren Kutlay Martin Laiblin Hanna Walsdorf
Herausgegeben von: Judith I. Haug und Hanna Walsdorf.
Webcode: /36159961