Cover: Lou, The Return of Magic

Lou

The Return of Magic

64,00 €
Cover: Lou, The Return of Magic
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Lou

The Return of Magic

The Transformation of the Body in Chinese Cinema and Its Cultural Memory.

Body — a fragile, limited, but powerful object. The phenomenon of bodily transformation has occurred in Chinese cinema from the early phase of the twentieth century until today. The recurrence of transforming bodies reifies the shifting boundaries between normality and abnormality, beauty and ugliness, good and evil, remembering and forgetting that are mapped in social discourse. At the core of this research lies the question of how films concerning transforming bodies could be treated as a dispositif to shape and evoke the cultural memory of China.

Von: Yi Lou.
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978-3-9874003-8-4

Erschienen am 14. Juni 2023

269 S.

Softcover

Bibliografische Reihen

Bibliotheca Academica – Kunstwissenschaft

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Schlagwörter

Abnormalität

abnormality

beauty

bodily transformation

Body

Böse

China

Chinese cinema

Chinesischer Film

Chinesisches Kino

cinema

Cultural Memory

Erinnern

Erinnerungskultur

evil

Film History

Filmästhetik und -theorie

Filmgeschichte

forgetting

Good

Gut

Hässlichkeit

Kino

Körper

körperliche Transformation

kulturelles Gedächtnis

Normalität

Normality

remembering

Schönheit

social discourse

sozialer Diskurs

transformierende Körper

transforming bodies

Ugliness

Vergessen

}

Bibliografische Reihen

Bibliotheca Academica – Kunstwissenschaft

Bibliografie

978-3-9874003-8-4

Erschienen am 14. Juni 2023

269 S.

Softcover

Softcover 64,000 € Kaufen
e-Book 64,000 € Kaufen

Lou

The Return of Magic

The Transformation of the Body in Chinese Cinema and Its Cultural Memory

Body — a fragile, limited, but powerful object. The phenomenon of bodily transformation has occurred in Chinese cinema from the early phase of the twentieth century until today. The recurrence of transforming bodies reifies the shifting boundaries between normality and abnormality, beauty and ugliness, good and evil, remembering and forgetting that are mapped in social discourse. At the core of this research lies the question of how films concerning transforming bodies could be treated as a dispositif to shape and evoke the cultural memory of China.
Von: Yi Lou.
Webcode: /35793173